As one of the world’s premier art museums, The Metropolitan Museum of Art is home to the finest collection of Chinese artistic masterpieces of any museum outside of China. The collection spans 5,000 years of changing political dynasties and varying religious and foreign influences and represent every period of Chinese history. One of the most astonishing things about China is how little most Americans actually know about it, even though China’s culture is so present in our western world. We often see China as a nation casting off tradition in a mad rush to westernize. But below the hectic surface lies a steadfast culture that has influenced the West in deep and subtle ways.

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Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.

A drifter faces off against a band of mercenaries with the help of a frontier woman and her young daughter.

In 1981 in Odessa, Texas, the nude body of a beloved Catholic priest was found bound and mutilated in a seedy motel room. Cops had no leads until a young gay Apache man named James Reyos suddenly called to confess. Reyos recanted, but it was too late: he was swiftly convicted and sentenced to 38 years in prison. Decades later, a local police chief uncovered buried evidence that would have exonerated Reyos in his original trial. With the support of the Innocence Project of Texas, Reyos prepares to fight to clear his name once again. 　　Anyone who has seen Deborah S. Esquenazi's Southwest of Salem: The Story of the San Antonio Four (which won the Best Documentary Award at Frameline40) knows the Peabody-winning director and investigative journalist is no stranger to seeing innocent LGBTQ+ folks thrown into Texas prisons for crimes they didn’t do. Night in West Texas is a probing look at the cracks in the American justice system and how one innocent man so easily slipped through them. At once both harrowing and deeply affecting, the film shows how Reyos was vilified as a minority but also how a community rallied around him to battle for the justice he deserved.

A look into the unique and rich friendship between pop art legend Andy Warhol and neo-expressionist icon Jean-Michel Basquiat, exploring their extraordinary creative partnership during the 1980s, and how their work together was propelled by their contrasting beliefs.

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Big Bird and his Sesame Street companion, Barkley, the big, fluffy dog, travel across China in search of the legendary Feng Huang, the Phoenix Bird. Along the way they visit with Chinese schoolchildren, watch a Tai Ji demonstration, learn some Chinese words and songs, and meet the mischievous Monkey King.

Nop is a small time thief who gets a job from the local Chinese mafia in Bangkok. He and another guy have to pick up some girls from a small fishing port nearby who have been smuggled in from China to work in a Karaoke bar and deliver them to Bangkok. On the way back into town they are stopped at a police check point and the cops soon realize the people in the van are all illegal immigrants. He runs away with a girl who speaks some Thai named Liew who is coming to Thailand to pay back her family's debts. A chase leads to them nearly being captured and Nop is shot but they manage to escape and hide out in Pattaya for a few days. They have a relationship but Nop must hand over the girl to the mob no matter what. She does not want to work in the bar but is forced to. Nop does not agree...